Down in the cold, dusty underworld, Inanna is
hanging on a hook. Ereshkigal is moaning like a woman in labor. Ninshubur has
garnered the concern and wise assistance of Enki, who has sent two little
creatures down to visit Ereshkigal, with very specific instructions.
The
kurgurra and the galatur find Ereshkigal in her
throne room, moaning like a woman giving birth, clothes in disarray, hair
matted. It’s a terrible sight.
Ereshkigal cries out ‘Oh my insides, my insides!”
The creatures cry out “Oh your insides, your
insides!”
Ereshkigal cries out “Oh my outsides, my outsides!”
The creatures also cry out “Oh your outsides, your
outsides!”
Ereshkigal moans “Oh my back, my back!” and the creatures moan “Oh your back, your back!”
The queen of the underworld stops and looks
around. “Who is there?” she demands, “and why do you comfort me? If you are
gods, I thank you, and if you are not, I will give you a great gift.”
Ereshkigal purses her lips. “I don’t know about
that,” she replies. “I don’t think I can give you Inanna. She’s not in the same
shape that she was in the last time you saw her.” But the kurgurra and the
galatur insist. “Inanna is our queen and we want to take her back.”
Ereshkigal signals her servants to take Inanna down
from the hook. The kurgurra and the galatur sprinkle the corpse with the water
and food of life. Inanna comes back to life.
The gift of compassion, an empathetic ear, this is
what Enki offered Ereshkigal. The dramatic meeting of the primordial,
instinctual self and the civilized, adapted self comes to an end. Ereshkigal and Inanna are very
different but they are both vulnerable, both wounded, both healed through
tenderness and concern. We can only guess at how these two goddesses have
been transformed by this encounter, but the fact that they have both survived
distinguishes this myth from many others that involve courage, confrontation,
and heroism. The hero’s journey always involves the frightening, often in the
shape of terrible monsters. But unlike Gilgamesh, another recent example from
Sumerian mythology, Inanna does not overcome, kill, or tame the monstrous
Other. What’s heroic in her story is the willingness and humility to face and
incorporate the fearsome.
What is so frightening and alien about Ereshkigal,
and how could any aspect of this dark goddess complete the bright and shining
Inanna, Queen of Heaven and Earth? Ereshkigal is nature’s raw vitality, the
drive for life that is not controllable, Dylan’s “green pulse.” Wild life, which belongs to the maggots as well as the roses. With this awareness, Inanna can truly be the goddess of life. She understands the complete cycle.
This paraphrase is from Diane Wolkstein
and Noah Kramer's wonderful translation of the myth, Inanna: Queen of Heaven
and Earth, Her Stories and Hymns from Sumer.
A collaboration between the Joseph Campbell Foundation, OPUS Archives, and Pacifica Graduate Institute. Join the conversation, create the vision, deepen the study of myth.



