One way to understand the myths active in our collective psyche is to reflect on the movies. Even (or especially) the ones that we see for pure entertainment. Ever notice how a crop of films will come out that deal with the same theme? Disaster films, films about disillusioned soldiers or discredited cops who actually knew what was coming down, films about crooked politicians, or the Holocaust. It's both obvious, and easy to overlook, the way that cultural phenomena, even products that don't claim to be more than silly or trivial, mirror our mythology. So in these black dog days of upheaval and change, one place to look for shifts in our shared narrative is the movies.
The intersection of life and story embodied in the movies is a powerful crossroads, and I especially appreciate insightful commentary from someone who knows and loves both form and content, on and off the screen.One great source: Living the Romantic Comedy blog by Billy Mernit. Check out the blog and other details here Billy Mernit, Living the Romantic Comedy
In addition to interesting movie reviews, last month Mernit noted these uncertain times and posed this question: When I talk to industry colleagues these days, invariably we end up
musing on the currently unknowable, i.e where are the currents taking
us? What kind of a movie is the public going to want to see? What is
the nature of the story that we're all living in right now?
I love this question because thinking about movies roots something big and abstract, the question of our national, cultural mythology and narratives about identity, in familiar ground. You might want to think about your favorite movies and why you like those stories in particular. I'm not going to start writing movie reviews--not yet anyway--but I have a few thoughts in response to Mernit's question. These are not predictions but what I hope to see and encourage. I will look for movies that are about renewal, for stories about the cyclical nature of things. And I will look for new forms of heroism. Fewer Lone Rangers and vigilantes with guns, and more group action, more complex psychology, and an appreciation of the challenges posed by the ordinary. On that note, I'd like to see films that reacquaint us with beauty, and teach us how to see it.
If you know of a movie that points in these directions, let me know.